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Raymond Floyd

Raymond Floyd

Raymond Floyd won two majors before I was born.  He won another two after I was born.  He has 22 wins on the PGA Tour.

The Golf Channel filmed a “7 Nights at the Academy” special show at Old Palm Golf Club in Palm Beach Gardens, Florida featuring Raymond Floyd.  Filming took place over two days on the range facility.

Golf Channel’s Martin Hall co-hosted the show.  Win McMurry took a behind the scenes crew through the show, and even hosted a Q and A with Mr. Floyd.

My photos were used to promote the show online, in banner ads, and on the Golf Channel website.

Mr. Floyd was great to work with, as we had conversations about his children, New England states, fishing and hunting.

Orlando Videographer

Still Photographer

To me, being a still photographer on a video production means one thing:  Stay the hell out of the way, and do your job.

Being a set photographer is a challenge.  You’ll immediately recognize that you  are not the priority, which is difficult for most photographers to fathom. You need to stay out of the way of the video crew, make little noise, and deliver terrific photos.  Some of the normal angles you’re used to working from are most likely occupied by a videographer and audio guy.

Still photographers really need to speak up on set to get their needs fulfilled.  A set photographer may need a selection of portraits in each filming location.  If you don’t speak up, people will cruise on to the next location or scene.  You’ll want to work quickly.  Have a plan in place  to execute your ideas.

The photo above is a Golf Channel show with Hall of Fame golfer Raymond Floyd at Old Palm Golf Course in Palm Beach.  Two cameras on a tripod (one is also in background) and a camera on a jib.  If I remember correctly, Mr. Floyd was delivering lines into the camera during this particular set up.  You’ll also notice a lighting crew member holding a stand, which already has 10+ sandbags.  What you don’t see is many more crew members, consisting of jib operators, producers, director, makeup, audio, wardrobe, PA’s and grips.

Still photographers don’t usually show up when the crew does.  They spend hours setting up their cameras, scouting, calibrating and lighting.  I often get a call sheet, and my call time is 1 – 2 hours after the crew.  Let me be the first to tell you that you’ll be made fun of when showing up at 7am, when the video crew was there at 5.  I’d share my favorite come backs when this happens, but it’s best for you to learn on your own in this situation.

Here’s another tip:  Don’t mess with lunch!  Talent get cranky if they have to pose or take a few extra minutes right before their lunch break.

As a still photographer, get familiar with the lighting gear and crew.  Big productions bring in flags, scrims and generators to power their lighting.   Going back a paragraph, you’ll want to make friends with the lighting crew.  Once the crew calls “lunch” or “wrapped”, I can’t explain to you how quickly these lights shut down.  It’s milliseconds.   Make sure they know you’ll need these lights on for a few extra minutes.  They take several minutes to fire back up, and I can tell you first hand, that your subject will be GONE when they turn back on.

Which brings me to my last point.  Video crews work LONG days. They’re used to it.  Still photographers are not.  Get used to a 12 – 15 hour work day.  For a 15 hour work day, video crews may only create an hour long show.  There’s a lot of down time.

Feel free to email me any questions about being a set photographer.

follow me on instagram at :  @cycyrdotcom

 

Lee Westwood

Lee WestwoodPGA Tour.  European Tour. Consistency. World Number 1. Japan Golf Tour.  Asian Tour.  Ryder Cup.  Sunshine Tour.  English. PGA Tour of Australasia.  Five top 3’s in Majors.  39 Wins.

I photographed Lee Westwood’s appearance on the Feherty Show in January, 2013.  The interview took place in the Old Palm Golf community in Palm Beach Gardens.  At the time of the interview, Westwood was listed as the seventh best golfer on the planet.

As you’ll see on the show, the interview location was quite spectacular.  It’s a few houses down from Westwood’s new home.  Westwood is a quiet family man.  He spoke softly and brought out his English sense of humor often.  He spoke of the near misses in tournaments, the wins and downward spiral Westwood was in from 2001 – 2003.  The interview lasted about 3 hours, then Westwood gave a tour of the home he and his wife are building in the a few doors down.  This was followed by giving Feherty a ride in Westwood’s two door Bentley coupe sports car to a horse stable 25 minutes away.

I was able to make portraits of Westwood in multiple locations, including the stables (stables) and with David Feherty.

I sincerely hope Westwood claims his first major of his career in 2013.  I know I’ll be rooting for him!

Tune into the Golf Channel!

Here’s a gallery of some of the photos I took during filming.

 

PocketWizard

Special “THANK YOU” to PocketWizard for featuring me on their website blog and Facebook page on January 21, 2013!

I have been exclusively using PocketWizards for my entire career.

The assignment they wrote about was the Golf Digest “18 Annoying Golf Partners” assignment from 2012 and 2013.  We have now photographed 36 annoying golfers such as cigar guy, ball retriever guy, 4 foot gimme, crazy cart driver and many more.

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